A stylistically diverse crop of Adler Fellows on vibrant display

SAN FRANCISCO CHRONICLE

Bass-baritone Christian Pursell and baritone Andrew Manea brought vocal heft and rhetorical urgency, separately and together, to music by Rossini, Bellini and Verdi. JOSHUA KOSMAN

San Francisco Opera Center Announces 2019 Adler Fellows

OPERAWIRE

The 12 recipients this coming year include sopranos Mary Evelyn Hangley and Natalie Image; mezzo-sopranos Ashley Dixon and Simone McIntosh; countertenor Aryeh Nussbaum Cohen; tenors Zhengyi Bai, Christopher Colmenero, and Christopher Oglesby; baritone SeokJong Baek; and bass-baritone Christian Pursell. Hangley, McIntosh, Bai, Colmenero, Oglesby, and Baek are entering their first year as Adler fellows while Image, Ashley Dixon, Cohen, and Pursell are entering their second year. DAVID SALAZAR

Jake Heggie & Gene Scheer’s ‘It’s A Wonderful Life’ To Have San Francisco Opera Premiere

OPERAWIRE

The cast features tenor William Burden as George Bailey. soprano Golda Schultz in her San Francisco Opera debut as angel Clara, baritone Rod Gilfry, soprano Andriana Chuchman in company debut, and current San Francisco Opera Adler Fellows soprano Sarah Cambidge, mezzo-soprano Ashley Dixon, tenor Amitai Pati and bass-baritone Christian Pursell. Patrick Summers will conduct the San Francisco Opera Orchestra with Leonard Foglia directing the production. FRANCISCO SALAZAR

Radvanovsky Reigns in S.F. Opera’s Roberto Devereux

SAN FRANCISCO CLASSICAL VOICE

Other Adler Fellows made excellent smaller contributions: Amitai Pati’s sunny sound as Lord Cecil contrasted with his character’s gleeful evil, and Christian Pursell gave Sir Walter Raleigh a full, honeyed voice and delightful swagger. ILANA WALDER-BIESANZ

Opera in the Park keeps a splendid San Francisco tradition alive and thriving

SAN FRANCISCO CHRONICLE

Looking farther down the road with current and recent Adler Fellows, soprano Sarah Cambidge whetted the appetite for October’s production of Strauss’ “Arabella” with a vibrant, muscular account of “Es gibt ein Reich” from that composer’s “Ariadne auf Naxos,” and bass-baritone Christian Pursell offered a splendid aria from Handel’s “Orlando” in advance of the production coming to San Francisco in June. JOSHUA KOSMAN